Enter your email address to subscribe to this blog and receive notifications of new posts by email. After another cadenza, the main theme returns once more. Dora Stock’s 1789 portrait of Mozart. 4 ), the most famous keyboardist of his day. Regarding an early performance, Mozart’s father Leopold reported that it had been a particular favorite with the audience: “the Andante had to be repeated (something rare).” The strings alone introduce the expressive main theme of the movement before the piano enters and plays a variation on it. Get tickets and more information at houstonsymphony.org. Above: Detail of Jean Honoré Fragonard’s The Love Letter. The second on one by Johann Gottfried Eckard (op. This searching music comes to rest on a brief reminiscence of the piano’s second theme, leading the return of the drumroll theme in the home key. Almost simultaneously, he had been working on the score to The Marriage of Figaro. }�����s4���Xɒ �w ���i�_S�S���F^��o���!< +�}Q q��BGs@��^��8�*��*�;P���H,U���a"\�^��|H� �������{͖�N�Z�=D���,�8�C. 22 in E-flat major on December 16, 1785 as he was approaching the height of his popularity in Vienna. The third movement is based on C. P. E. Bach's piece La Boehmer, published in the early 1760s.Mozart's cadenzas for the concerto survive.. No. This site uses cookies. This incipient theme and variations, however, is interrupted by the woodwinds, who attempt to brighten the mood with a contrasting melody in a major key. The transition, now free of minor-key disturbances, leads to the orchestra’s original second theme from the introduction, played by the soloist for the first time. 18-20 July 2013, National Arts Centre, Ottawa HYPERION CDA68049 [63:20] Explore the 2020–21 season and purchase your subscription today! %PDF-1.3 View credits, reviews, tracks and shop for the 1991 CD release of Piano Concerto No.21 In C - Piano Concerto No.22 In E Flat on Discogs. The transitional passage is then transformed by the soloist with an expressive episode in a dark, minor key. 1, no. Romance," "Concerto No. By continuing to browse the site you are agreeing to our use of cookies. After the dancing main theme, the music comes to a pause as the strings play a simple, pulsing accompaniment figure. 22 in E-flat opens with a brilliant ritornello, but the heart of this concerto is the affecting slow movement in C-minor, a movement that must have served as inspiration for the adagio in Beethoven's Eroica Symphony. Piano Concerto No 22 in E flat major K482 Allegro Andante Allegro Piano Concerto No 24 in C minor K491 Allegro Larghetto Allegretto Hyperion is delighted to present Angela Hewitt’s third volume of Mozart piano concertos. Save my name, email, and website in this browser for the next time I comment. Just as the movement is about to end, the music pauses, and we hear a brief reminiscence of the delicate melody. A duet for flute and bassoon once again tries to intervene with a new major-key theme, but the piano and orchestra emphatically return to the main theme. x��}k�$Ǖ��<43g8�HQ�dSԒ�N)3��J�Za �~т�?X�$�kM.����##�q#�ܼY�9#�1���ʊ��8q�����;��[�/ Mozart didn't leave cadenzas for this work; O'Conor plays the ones that Beethoven, a great admirer of this concerto, wrote. Mozart, Piano Concerto No. 2, No. The main theme then returns, but is soon derailed into a more tumultuous developmental section, which suddenly comes to a halt with a cadenza. ... here. Performers today must supply their own cadenzas. 22 in E flat major, K482 (1785) [32:42] Piano Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. 14 (K. 449) in E ♭ major, ushers in a period of creativity that has certainly never been surpassed in piano concerto production. 33 Beethoven: Piano Concerto No. Live from Jones Hall Q&A: Robin Kesselman, Principal Double Bass, on Mazzoli’s “Dark with Excessive Bright”, Houston Symphony Lights Up with the Bright Lights of Broadway. Mozart completed the Piano Concerto No. Mozart: Piano Concertos Vol. The piano enters with a new theme of its own that is soon interrupted by the drumroll figure. It is not known when Mozart completed his Concerto for Two Pianos and Orchestra in E-flat major, K. 365/316a, but research by Alan Tyson shows that cadenzas for the first and third movements are written in his and his father's handwriting on a type of paper used between August 1775 and January 1777 [citation needed]. Your subscription means more than ever. Wolfgang Mozart. It’s as if Mozart is saying, “And you thought I was going to forget about that one!” The concerto then bounds to its joyful end. 1. 22 in E-flat Major, K 482 Third movement, “Rondo,” of Mozart's Piano Concerto No. Died December 5, 17 91, Vienna, Austria. Allegro ma non troppo (Arr. Another cadenza then returns us to a reprise of the main theme and the broad, lyrical melody. the bright, sunny main theme of the finale. ���}�����{�oԩ��Q߼�f8M����Y\.NjP�̓[mN�lƛ��C'��yt���4 �x���KufH����ܾ��͟������i�fw����[o��݋����}������q��������7���p������A���q��e|o�w��'����O��'�n��'yZܠ�O��n�-���?��S7����my.��.Y�d:���Ӻ��_V�����kgr��Nݴ��g��r��e�o��R�8�e��4v��o�I��o��^ܾ1����+��|L/y�����M�\?϶�����Dܤ��1v����q��aX6�r�*�Mz��5C����z^�g� ��'�,h}�����ay�,ɵtY�,n��S��9�vEo�q��'�K?��k?��~�ş�;��D��yڮ�Ȇ�ŭ=�y�ۤ���4���U�C1\3�����߹�oG�U���ׇZ=�=�O۾���֭�ӤUZ@��bp�g�u1\g\�C���d"������"��2��3q^ɯ|&��t�'����*��z�L��T�i�w����Y��o5��˙Dg���/�V�C�u%���Y��+�+!�zz+�P��Ȩ��'�?�w#U��� �#����x������G��I�փO�u�~���8z��e�#�c��n�s� &�m�~4i,r����_�ʻ7~WJٓ���r@��{���ƻ�O�^wZ�yHZ����i������u�?^M->��R�ֈ{I��{��q��jFܯ������CwaoYI����a+��W�'��ڧG r���CX�b�EƼ�˃Ӂ�}�/��QW�����~����������4����n ��޿�/�S�iY����˭��t*��m����0s�����?��,G@z^r�'Y�&=�g� ��=�Wt�o=�s���ŀr�wp���D=��y=N孶��D�E. a brief reminiscence of the delicate melody. From February 1784 to March 1786, Mozart wrote no fewer than 11 masterpieces, with another (No. The next concerto, No. Piano Concerto No. Your email address will not be published. The first movement of Mozart's Piano Concerto No. %�쏢 Though opera was the most prestigious genre of music, piano concertos formed the bread and butter of Mozart’s career at the time, and his performances of his own works were in high demand. After the dancing main theme a simple, pulsing accompaniment figure a more unstable, developmental section featuring arpeggios. Famous keyboardist of his popularity in Vienna browse the site you are agreeing to our use of.. ) National Arts Centre, Ottawa HYPERION CDA68049 [ 63:20 ] the first movement totally! The transitional passage is then transformed by the bright, sunny main returns... Timpani, and we hear a brief reminiscence of the main theme, opera. Working on the initial movement of Mozart 's Piano Concerto No.22 in Flat... 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